The Making

Canova's assistants roughly blocked out the marble, leaving Canova to perform the final carving and shape the stone to highlight the Graces soft flesh. This was a trademark of the artist, and the piece shows a strong allegiance to the Neo-Classical movement in sculpture, of which Canova is the prime exponent.

The three goddesses are shown nude, huddled together, their heads almost touching in what many have referred to as an erotically charged piece. They stand, leaning slightly inward — perhaps discussing a common issue, or simply enjoying their closeness. Their hair-styles are similar, braided atop their heads.